View Camera Magazine

since: 2018/03/10
update:
2018/06/24

reference:
1. View Camera:: the Journal of Large-Format Photography


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January-February, 2005 - Ebony







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4 x 5 Lenses ---- August 1988

Photographing Interiors ---- August 1998

8 x 10 Lenses ---- November 1988

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The Adjustable Camera Part 1:
Critical Focus, Scheimpflug, and Depth of Field
---- January 1989

The Adjustable Camera Part 2:
Yaw, Yaw and Scheimpflug, Perspective Control
---- March 1989

Closeup Lenses ---- July 1989

4x5 Enlargers: An Overview ---- September 1989

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Carleton Watkins ---- January/February 1990

Wide Angle Photography with the 4x5 Format ---- March/April 1990

The Super Large Format World of Douglas Busch ---- July/August 1990

Architecture in Black and White ---- September/October 1990

Scheimpflug, Depth of Field and Hyperfocal Distances ---- November/December 1990

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The Mathematics of Photography ---- January/February 1991

Ilford's New HP5+ Sheet Film ---- January/February 1991

The Super Symmars ---- January/February 1991

Recommended Exposure Indices for Infrared Film ---- March/April 1991

Infrared and the Figure ---- March/April 1991

Using Infrared Film ---- March/April 1991

Orthochromatic Film ---- March/April 1991

The Telephoto Lens ---- March/April 1991

Polacolor Image Transferring ---- May/June 1991

Calculating Bellows Extension Factors ---- September/October 1991


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Camera Design ---- January/February 1992

Macro Photography ---- July/August 1992

Considerations in 4x5 Field Camera Design ---- July/August 1992

Image Quality in a View Camera ---- July/August 1992

Making Enlarged Negativew  ---- September/October 1992


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The Polaroid Collection Twenty Thousand Experiments
---- January/February 1993

Hiroshi Nonami - Copy a Reality ---- March/April 1993

The Landscape as Tabletop and Other Fables of Scheimpflug ---- September/October 1993


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Designing and building your own camera ---- March/April 1995

The history of lens design ---- July/August 1995

The history of lens design part two ---- September/October 1995

A quartet of wide-eyed beauties ---- November/December 1995


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Beginner's Corner: High Contrast, Camera Movements, And Long Exposures
---- January/February 1996

The history of lens design part three ---- January/February 1996

The history of lens design part four ---- March/April 1996

How to build a camera bellows ---- July/August 1996

View camera and depth of field - part 1 ---- July/August 1996

Making your own pinhole camera ---- July/August 1996

View camera and depth of field - part 2 ---- September/October 1996

Build your own 4x5 field-view camera ---- November/December 1996

How to align your ground glass
---- November/December 1996


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The metaphysics of seeing ---- May/June 1997

A philosophy of vision ---- July/August 1997

Setting up & using the view camera ---- September/October 1997

Part 2: Setting up & using the view camera ---- November/December 1997


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Lens Equivalents to 35mm
---- March/April 1998

Using Roll Film In The View Camera ---- March/April 1998

Filter For Black And White And Color Films - Part 1 ---- March/April 1998

On Printing ---- May/June 1998

Lotus Rapid Field 4x5 ---- May/June 1998

Wet Plate Photography ---- July/August 1998

Lens Coating ---- July/August 1998

Roll Film Backs ---- July/August 1998



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Ansel Adams - five important landscapes ---- January/February 1999

A history of the view camera's unique capabilities ---- January/February 1999

Schneider 110mm super-symmar xl aspheric ---- March/April 1999


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Getting started with large format ---- January/February 2000

Polaroid 55P/N: making a master print ---- March/April 2000

On teaching large format photography ---- May/June 2000

Solarization ---- May/June 2000

XTOL - A new developer ---- May/June 2000


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Zone testing simplified ---- January/February 2001

Testing spot meter linearity ---- March/April 2001

A quick re-test for checking developing time ---- May/June 2001

Working with polaroid's type 55P/N film ---- September/October 2001

Zoning with the multi-tasking meter ---- September/October 2001

A lession in filters for black-and-white ---- November/December 2001


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4x5 Color Transparency Films for Landscape Photography  ---- January/February 2002

Learning The Art and Craft of Black&White Photography ---- March/April 2002

Ansel Adams: Filmmaker Ric Burns Pays Tribute to the Master ---- March/April 2002

How to Build and Use a Zone Dial ---- May/June 2002

Enlarged Negatives ---- May/June 2002

The Zone Dial Revisited ---- July/August 2002

Contact Prints from Polaroid Negatives ---- September/October 2002

Does the View Camera Still Matter ---- November/December 2002

Schneider's Latest XL Series Lens ---- November/December 2002

Schneider Lenses: Current to Past (Part 1 of 2) ---- November/December 2002


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The Two-Point Exposure System  ---- January/February 2003

Schneider Lenses: Current to Past (Part 2 of 2)  ---- January/February 2003

Nikon Lenses: Past and Present ---- March/April 2003

Caltar Lenses: Past and Present
---- May/June 2003

Large Format Lenses from VEB Carl Zeiss Jena and Docter Optic ---- July/August 2003

Large Format Lenses from VEB Carl Zeiss Jena and Docter Optic Part 2
---- September/October 2003

Orthochromatic and Infrared Sheet Films ---- September/October 2003

A Method of Varying the Focal Length of Large Format Camera Lengses

---- November/December 2003

Correcting a Large Format Pin-Hole Image ---- November/December 2003

Kodak's New Tri-X Sheet Film ---- November/December 2003


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Setting Up the View Camera - part 1 ---- January/February 2004

From Test to Final Print ---- January/February 2004

Diffraction: Pushing Sharpness to The Limit ---- January/February 2004

Arca-Swiss: Past & Present ---- March/April 2004

Setting Up the View Camera - part 2 ---- March/April 2004

Tessar Lenses: The Legend And The Legacy ---- May/June 2004

The Sekonic L-558 Dualmaster
---- May/June 2004

Setting Up the View Camera - part 3 ---- May/June 2004

In Praise of Convenience: Techniques and Equipment to Inprove Productivity in the Field
(part 1 of 2)
---- November/December 2004



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The State of Large Format Film ---- January/February 2005

Ebony 4x5 Cameras ---- January/February 2005

Controlling a Negative's Genetic Make-up ---- March/April 2005

In Praise of Convenience: Techniques and Equipment to Inprove Productivity in the Field
(part 2 of 2)
---- March/April 2005

The Artist Behind The Camera ---- May/June 2005

Documentation and Interpretation ---- May/June 2005

Asymmetrical Movements ---- May/June 2005

Center Filters: Do I Need One? ---- July/August 2005

The Continuing Influence of Ansel Adams and Minor White ---- November/December 2005

So, Just What is The Future of Large Format? ---- November/December 2005

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Why Large Format? ---- January/February 2006

A Simple Way To Test For Film Speed and Developing Time ---- January/February 2006

The Future of Large Format: Current Available Sheet Films ---- January/February 2006

The Bulldog's Self Assembly 4x5 Camera Kit ---- March/April 2006

Abandoned ---- July/August 2006

Building The Dream Darkroom ---- July/August 2006

Exploring the Beyond The Zone System Exposure and Development Method part 1
---- November/December 2006


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Field camera movements: A practical primer ---- January/February 2007

BTZS ---- Beyond The Zone System ---- January/February 2007

Night Photography with the View Camera
---- May/June 2007

Sunburned ---- July/August 2007

A Still Life Assignment ---- September/October 2007

Using BTZS to Calibrate Your Printing ---- September/October 2007

Loading a Film Holder ---- September/October 2007

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What Scheimpflug Didn't Tell You
---- March/April 2008

What Scheimpflug Didn't Tell You (Revisited without the math) ---- May/June 2008

A Comparison of T-Max 100 and T-Max 400 Films ---- May/June 2008

Two-Bath Development ---- July/August 2008

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View Camera Lens Charts ---- January/February 2009

Large Format in Today's World ---- March/April 2009

Seasons of the Moon - Metamorphosis ---- May/June 2009

Exposure Meters for Large Format ---- July/August 2009

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