Van Dyke Troubleshooting
since: 2019/04/14
update: 2019/04/14
reference:
0-1. Bostick & Sullivan, Inc.
0-2. Pictorico Premium OHP Transparency Film
0-3. Digital Negative Resources
0-4. Piezography
0-5. QuadToneRIP
0-6. Introduction to Alternative Processing in Photography
0-7. CreativeLive Classes
0-8. Toning Cyanotypes
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
0-9. Red Rubylith - Blocks UV Rays
0-10. Sandy King Photography
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
1. Introduction to Van Dyke Printing
2. Setting Up the Van Dyke Workstation
3. Van Dyke Paper and Coating
4. Van Dyke Exposure and Developing
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A. Print Gone Wrong(印製失敗)
We normally use a component called a gelatin bloom for that, so we basically dissolve this gelatin into the water, the paper goes in there, the getalin's absorbed into the paper, the paper is then able to be dried, you just hang it to dry, and then it's able to take the chemistry. What happened in this one, it looks like the gelatin didn't fully dissolve completely before the paper went in, so you ended up with these explosions of gelatin on the paper.
我們通常使用一種叫做明膠綻放的成分，因此我們基本上將這種明膠溶解在水中，紙張進入那裡，將得到的脂肪酸吸收到紙張中，然後將紙張乾燥，你只需將其掛起來晾乾 ，然後它能夠採取化學。 在這個問題中發生了什麼，看起來明膠在紙張進入之前沒有完全溶解，所以你最終在紙上發現了這些明膠爆炸。
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B. 學習記錄
On the back, you can see some pretty extensive notes about what happened.
在背面，您可以看到有關發生的事情的一些非常廣泛的說明。
How long was it in, what was the developer, what was the paper, what was the UV box number, cause there's multiple components here. Everything that caused this to happen. And the reason for that is, every print you do, you learn from. So that first print you coat, you learn how to use the brush better, and then, a why did the density not work there, and why did that not work there, everything is a learning process, and every process is informative of the other.
曝光時間有多長，顯影劑是什麼，紙張是什麼，UV箱號是什麼，因為這裡有多個組件。 導致這種情況發生的一切。 原因是，你所做的每一個印刷品都是你學習的。 所以，首先打印你的外套，你學習如何更好地使用刷子，然後，為什麼密度不能在那里工作，為什麼那裡不起作用，一切都是學習過程，每個過程都是另一個過程的信息。
This is also one of the reasons you'll see a lot of people do a lot of experimentation with these processes when they first get started, because it's not just about that you want to be in historical process, but it's which look of the historical process is appropriate for the work you're creating.
這也是你看到很多人在第一次開始時對這些過程做了大量實驗的原因之一，因為這不僅僅是你想要進入歷史過程，而是它的歷史過程適合您正在創建的工作。
The name of the printer, the name of the ink, the version number, you want this information as well, because when you pull this out, you can quickly look on the back and see what you were using, what the process was, how long it was in the ultra violet box.
打印機名稱，墨水名稱，版本號，你也想要這些信息一樣，因為當你把它拉出來時， 你可以快速看到背面，看看你在使用什麼，過程是什麼，在紫外線盒子裡有多長時間。
And the reason for that is, if this print ever got damaged and I needed to re-create it for a collector, or I needed to reprint it because it's number one of an edition, or a museum called and needed information about it because it got damaged in the museum, if they can look at the back and see certain pieces of information, then they're better able to restore the photograph. So, recording things on the back in pencil when you're working in all processing is also a really important part of the process.
原因是，如果這個版畫遭到破壞，我需要為收藏家重新創作它，或者我需要重印它，因為它是版本的第一，或者博物館打電話，需要有關它的信息，因為它在博物館受損，如果他們可以看到後面看到某些信息，那麼他們就能更好地恢復照片。 因此，當您在所有處理中工作時，用鉛筆記錄背面的東西也是這個過程中非常重要的一部分。
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C. 紙張類型與色調
You see this has got a redder, warmer color. So this paper is a legion folio paper. So just by changing the paper type you would use, you can also change the tint and tone of the image. 這有一個更紅，更溫暖的顏色。 因此，本文是一篇軍團對開紙。 因此，只需更改您要使用的紙張類型，您還可以更改圖像的色調。
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D. 測試對照與調整
Because this is testing work we're doing, we've left in that eleven step step wedge. Cause the other thing it allows us to do is see is there a significant difference in the tonal response between the papers. So, in this case, the five percent here actually holds about five percent tone, but the five percent here isn't quite developed, so what that means is we're losing highlight, tonality in detail, and we would need to adjust our tone mapping curve to make that happen.
因為這是我們正在進行的測試工作，我們已經留下了11步驟楔形。 因為它允許我們做的另一件事是看到紙張之間的色調反應存在顯著差異，因此我們需要調整色調映射曲線。
update: 2019/04/14
reference:
0-1. Bostick & Sullivan, Inc.
0-2. Pictorico Premium OHP Transparency Film
0-3. Digital Negative Resources
0-4. Piezography
0-5. QuadToneRIP
0-6. Introduction to Alternative Processing in Photography
0-7. CreativeLive Classes
0-8. Toning Cyanotypes
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
0-9. Red Rubylith - Blocks UV Rays
0-10. Sandy King Photography
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
1. Introduction to Van Dyke Printing
2. Setting Up the Van Dyke Workstation
3. Van Dyke Paper and Coating
4. Van Dyke Exposure and Developing
---------------------------------------------------------------------------
A. Print Gone Wrong(印製失敗)
We normally use a component called a gelatin bloom for that, so we basically dissolve this gelatin into the water, the paper goes in there, the getalin's absorbed into the paper, the paper is then able to be dried, you just hang it to dry, and then it's able to take the chemistry. What happened in this one, it looks like the gelatin didn't fully dissolve completely before the paper went in, so you ended up with these explosions of gelatin on the paper.
我們通常使用一種叫做明膠綻放的成分，因此我們基本上將這種明膠溶解在水中，紙張進入那裡，將得到的脂肪酸吸收到紙張中，然後將紙張乾燥，你只需將其掛起來晾乾 ，然後它能夠採取化學。 在這個問題中發生了什麼，看起來明膠在紙張進入之前沒有完全溶解，所以你最終在紙上發現了這些明膠爆炸。
B. 學習記錄
On the back, you can see some pretty extensive notes about what happened.
在背面，您可以看到有關發生的事情的一些非常廣泛的說明。
How long was it in, what was the developer, what was the paper, what was the UV box number, cause there's multiple components here. Everything that caused this to happen. And the reason for that is, every print you do, you learn from. So that first print you coat, you learn how to use the brush better, and then, a why did the density not work there, and why did that not work there, everything is a learning process, and every process is informative of the other.
曝光時間有多長，顯影劑是什麼，紙張是什麼，UV箱號是什麼，因為這裡有多個組件。 導致這種情況發生的一切。 原因是，你所做的每一個印刷品都是你學習的。 所以，首先打印你的外套，你學習如何更好地使用刷子，然後，為什麼密度不能在那里工作，為什麼那裡不起作用，一切都是學習過程，每個過程都是另一個過程的信息。
This is also one of the reasons you'll see a lot of people do a lot of experimentation with these processes when they first get started, because it's not just about that you want to be in historical process, but it's which look of the historical process is appropriate for the work you're creating.
這也是你看到很多人在第一次開始時對這些過程做了大量實驗的原因之一，因為這不僅僅是你想要進入歷史過程，而是它的歷史過程適合您正在創建的工作。
The name of the printer, the name of the ink, the version number, you want this information as well, because when you pull this out, you can quickly look on the back and see what you were using, what the process was, how long it was in the ultra violet box.
打印機名稱，墨水名稱，版本號，你也想要這些信息一樣，因為當你把它拉出來時， 你可以快速看到背面，看看你在使用什麼，過程是什麼，在紫外線盒子裡有多長時間。
And the reason for that is, if this print ever got damaged and I needed to re-create it for a collector, or I needed to reprint it because it's number one of an edition, or a museum called and needed information about it because it got damaged in the museum, if they can look at the back and see certain pieces of information, then they're better able to restore the photograph. So, recording things on the back in pencil when you're working in all processing is also a really important part of the process.
原因是，如果這個版畫遭到破壞，我需要為收藏家重新創作它，或者我需要重印它，因為它是版本的第一，或者博物館打電話，需要有關它的信息，因為它在博物館受損，如果他們可以看到後面看到某些信息，那麼他們就能更好地恢復照片。 因此，當您在所有處理中工作時，用鉛筆記錄背面的東西也是這個過程中非常重要的一部分。
C. 紙張類型與色調
You see this has got a redder, warmer color. So this paper is a legion folio paper. So just by changing the paper type you would use, you can also change the tint and tone of the image. 這有一個更紅，更溫暖的顏色。 因此，本文是一篇軍團對開紙。 因此，只需更改您要使用的紙張類型，您還可以更改圖像的色調。
D. 測試對照與調整
Because this is testing work we're doing, we've left in that eleven step step wedge. Cause the other thing it allows us to do is see is there a significant difference in the tonal response between the papers. So, in this case, the five percent here actually holds about five percent tone, but the five percent here isn't quite developed, so what that means is we're losing highlight, tonality in detail, and we would need to adjust our tone mapping curve to make that happen.
因為這是我們正在進行的測試工作，我們已經留下了11步驟楔形。 因為它允許我們做的另一件事是看到紙張之間的色調反應存在顯著差異，因此我們需要調整色調映射曲線。
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